Being a huge fan of Robert Aldrich’s noir masterpiece “Kiss Me Deadly” I have been wanting to see this documentary about the man that wrote the screenplay, A.I. Bezzerides. I had heard about it a couple of years ago, I think it was going to play at the Egyptian but I missed the screening and the film disappeared. But now lo and behold you can see it on a website called Snag Films. Just push THIS. What a character, he also wrote Jules Dassin’s “Theives Highway” and “They Drive By Night” a Warner Bros. melodrama with Bogey, George ,I never watch my own films, Raft and the sublime Ida Lupino.
The Best of the bunch is “Kiss Me Deadly” starring mega meathead Ralph Meeker as Mike Hammer, I grew up watching this film on Channel 5 , WNEW in NYC. I loved it, I’d watch it every time it was on, great sports cars, great women, extreme violence, Atomic mystery box, 50’s L.A. locations, Angels Flight, Bunker Hill, the stuff dreams are made of, and Albert, Dr. Cyclops, Dekker.
Anyway if you haven’t seen Kiss Me Deadly watch it now! Then check out The Long Haul of A.I. Bezzerides.
Also the great Jack Elam, way before he caught a fly in his gun barrel in Once Upon A Time In The West
Here’s a film of Chaplin’s Hollywood Studio being built then used by C.C. to make films. Also we get to see Charlie in his editing room, very interesting, the shots are rolled up and put on a shelf for him to choose from, this is how we edited on upright moviolas.
The dailies woud be broken down into single takes, rolled up so the editor could get them quickly and feed them into the Moviola. Anyway a fascinating glimpse into the world of a genius filmmaker and a time warp rolled into one.
p.s. This version has voice over by Charlie, obviously added much later.
Here’s a wonderful documentary about the making of The Misfits, a classic B&W film. What an amazing collection of talent! Arthur Miller, John Huston, the cast, Marilyn Monroe, Clark Gable, Monty Clift, Eli Wallach, Thelma Ritter, the brilliant crew including the genius cameraman Russell Metty and the spectaculer editor George Tomasini.
Russell Metty with Orson Welles
The Great George Tomasini
What a group. Out in the middle of nowhere making an existential Western. Wow, I wish I could have been there. I first saw this film back on the WOR Million Dollar Movie, it fascinated me as a young movie nut. I loved Marilyn and I had never seen Gable in a movie like this. The incredible cinematography blew me away, especially the mustang catching sequence. Metty had shot such masterpieces as Orson Welles Touch Of Evil, Douglas Sirk’s Magnificent Obsession, Kubrick’s Spartacus, to name a few. George Tomasini was best known for his work with Hitchcock, including, Vertigo, Psycho, Rear Window and North by Northwest. One of the greatest editors of all time. Anyway here is Part one of the doc. Check it out.
Drop some acid and check this out.
I love Raymond Chandler’s writing. It was one of the things that made me want to move to Los Angeles. Here’s a movie based on Chandler’s novel Farewell My Lovely. They changed the name to Murder, My Sweet because it was Dick Powell’s first non-singing, dancing role and they didn’t want the public to think this was a musical. I always liked this movie, it’s Studio filmmaking at it’s crazy noir best.
Some excellent montages credited to Douglas Travers, classic stuff, the sequence with the ever smaller doors influenced the opening of The Twilight Zone and there are some great opticals, whenever Marlow gets slugged he falls into an optically printed pool of inky blackness spreading out by his feet.
There’s also double exposed frozen smoke over a section of the film, that image was taken right out of the book and it works nicely.
Also Moose Malloy (Mike Mazurki) is revealled reflected in the window glass of Marlow’s office by the blinking of an sign on the exterior of the building. A nice touch.
The set-ups can feel a bit hackneyed but I still enjoy the hell out of this flick. The sequence at the fake sanatarium is priceless and oft repeated in other films. it is interesting to compare this film with D.O.A., both are bookeneded by the protagonist telling his story to a police detective at the station house. Murder is a studio production, RKO to be exact, D.O.A. is an independant film made mainly on location, with a lot of on the street photography, kind of proto New Wave. Anyway if you haven’t seen it you’re in for a fun time. It’s a classic tale, Chinatown rips it off, every L.A. detective movie was influenced by it. The one change I didn’t like was making Florian’s bar a white joint. It’s on Central Avenue and is a Black owned bar in the book. It makes the scene of Marlow and Malloy trying to get info on Velma even better, more tense. I’m sure the Black actors could have used the work!